Daphne Ladines
Oil on canvas, 20" x 16"
In this work, the cello allows for a simple yet strongly unified composition. The opposing axes of instrument and subject intersect at the subject's hand, so that the hand is not just holding the cello but also holding the composition together. Curves of the instrument are repeated in the pearls, and in Ms. Ladines' hair and face. A subdued palette was used, appropriate for a formal portrait of this type. Ms. Ladines' eyes were carefully rendered, showing the cellist as alert, intelligent, and sympathetic. [ Detail ] [ Zoom ]

Dr. R.W. Bartlett
Oil on canvas, 36" x 24"
In this portrait of a prominent eye surgeon, the lab coat occupies a large area of picture space. The challenge was not to allow an expanse of cool white to neutralize the warmth of Dr. Bartlett's personality. To accomplish this the coat is filled with warm shadows and emphasis is given to the collar, directing attention toward the subject's face. Background elements—arranged to give depth and balance to the composition—are subordinated in soft shadow. In the lighted foreground, Dr. Bartlett's glasses, wedding ring, pen, and tie provide accents that lead the viewer's eye in a sweeping curve from the subject's right hand to the warm, engaging expression of his face. Placement and rendering of the surgeon's hands were given special attention. [ Detail ]

Jazmyn and Tevan
Oil on canvas, 24" x 20"

The composition of this high-keyed double portrait emphasizes the affectionate bond of brother and sister, aged 9 and 7 years. The viewer's eye is led from Jazmyn's arms to her face, along Tevan's shoulder to his face and back down through his tie. The cool colors of garments and background contrast and highlight the warm flesh tones of these attractive children. [ Detail ] [ Zoom ]

Hugh Thomas Stubbs
Oil on canvas, 24" x 18"

The subject's pose and the predominant blue of the composition suggest calm and relaxation. This mood is appropriate for Mr. Stubbs, a retired educator and man of quiet dignity. The newspaper adds interest to the composition, while the angles of the leg and tie lead the viewer's eye to Mr. Stubbs' attentive face. [ Detail ] [ Zoom ]